Lugar: Centro Cultural de Macau – Grande Audit\u00f3rio<\/p>\n

Maestro\uff0fChristian Arming
\nPiano\uff0fAlexei Volodin<\/p>\n

Programa:
\nBun-Ching Lam: Sui\u0301te Sinfo\u0301nica “Joy” – IV. Ode
\n(Obra a convite da Orquestra de Macau, estreia mundial)
\nBrahms: Concerto para Piano e Orquestra n\u00ba 2 em Si bemol Maior, Op. 83
\nBrahms: Sinfonia n. \u00b04 em Mi menor, Op. 98[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text el_class=”white mar-b5″ css=”.vc_custom_1722267061220{margin-bottom: 0px !important;padding-bottom: 0px !important;}”]Maestro
\nChristian Arming
\n[\/vc_column_text][vc_single_image image=”33694″ img_size=”75×75″ onclick=”custom_link” img_link_target=”_blank” link=”#”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text el_class=”white mar-b5″ css=”.vc_custom_1722267071983{margin-bottom: 0px !important;padding-bottom: 0px !important;}”]Piano
\nAlexei Volodin [\/vc_column_text][vc_single_image image=”33690″ img_size=”75×75″ onclick=”custom_link” img_link_target=”_blank” link=”#”][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n

O final do tributo da Orquestra de Macau a Brahms presenteia-nos com duas obras do compositor no auge da sua maturidade. O seu Concerto para Piano n.\u00ba 2, escrito 22 anos ap\u00f3s o seu Primeiro, expande o formato de concerto em quatro andamentos, semelhante a uma sinfonia. De facto, \u00e9 oportuno que o pianista russo Alexei Volodin se junte \u00e0 orquestra como solista de destaque neste imenso e envolvente tour de force, j\u00e1 que \u00e9 uma obra que requer o toque de um veterano. Volodin tem estado activo no cen\u00e1rio internacional h\u00e1 d\u00e9cadas, apresentando concertos e recitais em todo o mundo. O maestro Christian Arming encerra o tributo a Brahms com a \u00faltima sinfonia do compositor (n.\u00ba 4), uma obra-prima que resistiu ao teste do tempo.<\/p>\n

Aproximadamente 1 hora e 30 minutos, incluindo um intervalo<\/p>\n

A organiza\u00e7\u00e3o reserva-se o direito de alterar o programa e\/ ou os artistas.
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O final do tributo da Orquestra de Macau a Brahms presenteia-nos com duas obras do compositor no auge da sua maturidade.<\/p>\n","protected":false},"author":2,"featured_media":47613,"template":"","meta":{"_acf_changed":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[298],"class_list":["post-33698","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-homenagem-a-brahms","cat_homenagem-a-brahms"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.om-macau.org\/pt-pt\/wp-json\/wp\/v2\/tribe_events\/33698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.om-macau.org\/pt-pt\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/www.om-macau.org\/pt-pt\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/www.om-macau.org\/pt-pt\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":5,"href":"https:\/\/www.om-macau.org\/pt-pt\/wp-json\/wp\/v2\/tribe_events\/33698\/revisions"}],"predecessor-version":[{"id":50147,"href":"https:\/\/www.om-macau.org\/pt-pt\/wp-json\/wp\/v2\/tribe_events\/33698\/revisions\/50147"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.om-macau.org\/pt-pt\/wp-json\/wp\/v2\/media\/47613"}],"wp:attachment":[{"href":"https:\/\/www.om-macau.org\/pt-pt\/wp-json\/wp\/v2\/media?parent=33698"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.om-macau.org\/pt-pt\/wp-json\/wp\/v2\/tags?post=33698"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/www.om-macau.org\/pt-pt\/wp-json\/wp\/v2\/tribe_events_cat?post=33698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}