Venue : Cathedral<\/span><\/p>\n

Conductor<\/span>\uff0fChristian Arming<\/span>
\nPiano<\/span>\uff0fJonathan Biss<\/span><\/p>\n

Programme
\nBeethoven: “Fidelio” Overture
\nBeethoven Piano Concerto No.4 in G Major, Op. 58
\nSchumann Symphony No.2 in C Major, Op. 61
\n[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text el_class=”white mar-b5″ css=”.vc_custom_1785988842257{margin-bottom: 0px !important;padding-bottom: 0px !important;}”]Conductor<\/span>
\nChristian Arming<\/span>[\/vc_column_text][vc_single_image image=”33694″ img_size=”75×75″ onclick=”custom_link” img_link_target=”_blank” link=”#”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text el_class=”white mar-b5″ css=”.vc_custom_1785988851733{margin-bottom: 0px !important;padding-bottom: 0px !important;}”]Piano<\/span>
\nJonathan Biss<\/span>[\/vc_column_text][vc_single_image image=”54550″ img_size=”75×75″ onclick=”custom_link” img_link_target=”_blank” link=”#”][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n

Beethoven\u2019s only opera Fidelio went through a decade of revisions, its overture having had four different incarnations. This concert features the final version of the overture, completed in such haste it was not performed at the opera\u2019s premiere but rather on its second night. Beethoven\u2019s Piano Concerto No. 4 has long been praised for its grace and poise, distinguished for having the soloist introduce the theme alone before the orchestra enters. Schumann\u2019s Symphony No. 2\u2014inspired by Schubert\u2019s C Major Symphony\u2014reveals a mature composer aware of his own place in the Austro-German tradition following Beethoven\u2019s footsteps.<\/p>\n

Approximately 1 hour and 30 minutes, including one interval[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text el_class=”white”]<\/p>\n

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