[vc_row][vc_column][vc_single_image image=”29149″ img_size=”full”][vc_column_text]2022\u5e7412\u670831\u65e5 20:00
\n\u6fb3\u9580\u6587\u5316\u4e2d\u5fc3\u7d9c\u5408\u5287\u9662
\nCentro Cultural de Macau \u2013 Grande Audit\u00f3rio
\nMacao Cultural Centre Grand Auditorium<\/p>\n
\u6307\u63ee\uff0f\u6797\u656c\u57fa
\nMaestro \uff0fKen Lam
\nConductor \/ Ken Lam[\/vc_column_text][vc_separator][vc_column_text]<\/p>\n
1.\u611b\u5fb7\u83ef\uff0e\u73ed\u5091\u660e\uff0e\u5e03\u745e\u9813\uff1a\u300a\u7c21\u6613\u4ea4\u97ff\u66f2\u300b\u4f5c\u54c14
\nI.\u55a7\u9b27\u7684\u5e03\u96f7\u821e\u66f2<\/p>\n
2.\u5b89\u6771\u5c3c\u5967\uff0e\u7dad\u74e6\u723e\u7b2c\uff1a\u300a\u56db\u5b63\u300b\u4e4b\u300a\u51ac\u300b
\nI.\u4e0d\u592a\u5feb\u7684\u5feb\u677f
\nII.\u5ee3\u677f
\nIII.\u5feb\u677f<\/p>\n
3.\u5f7c\u5f97\uff0e\u4f0a\u5229\u5947\uff0e\u67f4\u53ef\u592b\u65af\u57fa\uff1aC\u5927\u8abf\u5f26\u6a02\u5c0f\u591c\u66f2 \u4f5c\u54c148
\nI.\u5c0f\u594f\u9cf4\u66f2\u5f62\u5f0f
\nII.\u5713\u821e\u66f2
\nIII.\u60b2\u6b4c
\nIV.\u7d42\u66f2 (\u4fc4\u7f85\u65af\u4e3b\u984c)<\/p>\n
4.\u4f0a\u66fc\u7d10\uff0e\u585e\u88d8\u8076\uff1a\u99ac\u6797\u5df4\u7434\u5354\u594f\u66f2
\nI.\u9748\u6d3b\u7684\u7bc0\u594f
\nII.\u6709\u7bc0\u594f\u7684\uff0c\u5145\u6eff\u6d3b\u529b\u7684<\/p>\n
5.\u611b\u5fb7\u83ef\uff0e\u827e\u723e\u52a0\uff1a\u300a\u5f15\u5b50\u8207\u5feb\u677f\u300b\u4f5c\u54c1 47<\/p>\n
<\/p>\n
1.Edward Benjamin Britten: \u201cSinfonia Simples\u201d, Op. 4
\nI.Boisterous Bourr\u00e9e<\/p>\n
2.Antonio Vivaldi: \u201cInverno\u201d do \u201cQuatro Esta\u00e7\u00f5es\u201d
\nI.Allegro non molto
\nII.Largo
\nIII.Allegro<\/p>\n
3.Pyotr Ilyich Tchaikovsky: Serenata para Cordas em D\u00f3 Maior, Op. 48
\nI.Pezzo in forma di sonatina
\nII.Valse
\nIII.\u00c9l\u00e9gie
\nIV.Finale (Tema Russo)<\/p>\n
4.Emmanuel Sejourne: Concerto para Marimba e Cordas
\nI.Tempo flex\u00edvel
\nII.R\u00edtmico, en\u00e9rgico<\/p>\n
5.Edward Elgar: Introdu\u00e7\u00e3o e Allegro, Op. 47<\/p>\n
<\/p>\n
1.Edward Benjamin Britten: \u201cSimple Symphony\u201d, Op. 4
\nI.Boisterous Bourr\u00e9e<\/p>\n
2.Antonio Vivaldi: \u201cWinter\u201d from \u201cFour Seasons\u201d
\nI.Allegro non molto
\nII.Largo
\nIII.Allegro<\/p>\n
3.Pyotr Ilyich Tchaikovsky: Serenade for Strings in C Major, Op. 48
\nI.Pezzo in forma di sonatina
\nII.Valse
\nIII.\u00c9l\u00e9gie
\nIV.Finale (Tema Russo)<\/p>\n
4.Emmanuel Sejourne: Concerto for Marimba and Strings
\nI.Tempo souple
\nII.Rythmique, energique<\/p>\n
5.Edward Elgar: Introduction and Allegro, Op. 47<\/p>\n
\u6f14\u51fa\u9023\u4e2d\u5834\u4f11\u606f\u7d041\u5c0f\u664230\u5206\u9418
\nAproximadamente 1 hora 30 minutos, incluindo um intervalo
\nApproximately 1 hour and 30 minutes, including one interval
\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][vc_column_text]<\/p>\n
\u6307\u63ee \/ Maestro \/ Conductor
\n\u6797\u656c\u57fa Ken Lam<\/p>\n
\u7b2c\u4e00\u5c0f\u63d0\u7434 \/ Primeiros Violinos \/ First Violins<\/strong> \u7b2c\u4e8c\u5c0f\u63d0\u7434 \/ Segundos Violinos \/ Second Violins<\/strong> \u4e2d\u63d0\u7434 \/ Violas \/ Violas<\/strong> \u5927\u63d0\u7434 \/ Violoncelos \/ Cellos<\/strong> \u4f4e\u97f3\u63d0\u7434 \/ Contrabaixos \/ Double Basses<\/strong> \u6253\u64ca\u6a02 \/ Percuss\u00e3o \/ Percussion<\/strong> \u9375\u76e4\u6a02\u5668\/ Keyboard<\/strong> ** \u8072\u90e8\u9996\u5e2d \/ Chefe de Naipe \/ Section Principal<\/span> [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][vc_single_image image=”29183″ alignment=”center”][vc_column_text]<\/p>\n \u6797\u656c\u57fa<\/strong><\/span> \u6797\u656c\u57fa\uff0c\u73fe\u4efb\u5929\u6d25\u8331\u8389\u4e9e\u5b78\u9662\u7ba1\u5f26\u6a02\u8868\u6f14\u5c08\u696d\u7e3d\u76e3\u3001\u5929\u6d25\u8331\u8389\u4e9e\u7ba1\u5f26\u6a02\u5718\u99d0\u5718\u6307\u63ee\uff0c\u540c\u6642\u64d4\u4efb\u4f0a\u5229\u8afe\u4f0a\u5dde\u4ea4\u97ff\u6a02\u5718\u85dd\u8853\u9867\u554f\u3001\u5317\u5361\u7f85\u840a\u7d0d\u5dde\u5e03\u91cc\u74e6\u5fb7\u97f3\u6a02\u4e2d\u5fc3\u99d0\u5834\u6307\u63ee\u4ee5\u53ca\u9999\u6e2f\u548c\u8072\u85dd\u8853\u7e3d\u76e3\u3002<\/p>\n 2015\u81f32022\u5e74\uff0c\u6797\u656c\u57fa\u4efb\u67e5\u723e\u65af\u9813\u4ea4\u97ff\u6a02\u5718\u97f3\u6a02\u7e3d\u76e3; \u4e26\u65bc2017\u81f32022\u5e74\uff0c\u64d4\u4efb\u4f0a\u5229\u8afe\u4f0a\u5dde\u4ea4\u97ff\u6a02\u5718\u97f3\u6a02\u7e3d\u76e3\u3002 \u6b64\u524d\uff0c\u4ed6\u9084\u64d4\u4efb\u904e\u5df4\u723e\u7684\u6469\u4ea4\u97ff\u6a02\u5718\u6559\u5b78\u5c08\u6848\u526f\u6307\u63ee\u3001\u8f9b\u8f9b\u90a3\u63d0\u4ea4\u97ff\u6a02\u5718\u52a9\u7406\u6307\u63ee\u548c\u9999\u6e2f\u5ba4\u5167\u6a02\u5718\u9996\u5e2d\u6307\u63ee\u3002 \u5728\u6b4c\u5287\u65b9\u9762\uff0c\u4ed6\u66fe\u70ba\u5e03\u91cc\u74e6\u5fb7\u97f3\u6a02\u4e2d\u5fc3\u73cd\u5c3c\u514b\u6b4c\u5287\u9662\u7684\u591a\u500b\u88fd\u4f5c\u57f7\u68d2\uff0c\u4e26\u5728\u8f9b\u8f9b\u90a3\u63d0\u6b4c\u5287\u9662\u3001\u5df4\u723e\u7684\u6469\u6292\u60c5\u6b4c\u5287\u9662\u548c\u5361\u65af\u723e\u9813\u97f3\u6a02\u7bc0\u64d4\u4efb\u52a9\u7406\u6307\u63ee\u3002 \u8fd1\u5e74\u4f86\uff0c\u4ed6\u5728\u7f8e\u570b\u65af\u6ce2\u840a\u6258\u85dd\u8853\u7bc0\u3001\u7d10\u7d04\u6797\u80af\u4e2d\u5fc3\u85dd\u8853\u7bc0\u4ee5\u53ca\u591a\u502b\u591a\u5149\u5f71\u85dd\u8853\u7bc0\u6307\u63ee\u904e\u591a\u90e8\u6b4c\u5287\u4f5c\u54c1\uff0c\u5ee3\u53d7\u8b9a\u8b7d\u3002 2010\u5e74\uff0c\u4ed6\u5728\u76ae\u535a\u8fea\u97f3\u6a02\u5b78\u9662\u6307\u63ee\u99ac\u65af\u5948\u7684\u300a\u66fc\u5102\u300b\uff0c\u88ab\u300a\u5df4\u723e\u7684\u6469\u592a\u967d\u5831\u300b\u8a55\u70ba\u83ef\u76db\u9813\u53ca\u5df4\u723e\u7684\u6469\u5730\u5340\u5341\u5927\u53e4\u5178\u97f3\u6a02\u7bc0\u76ee\u3002<\/p>\n \u6797\u656c\u57fa\u66fe\u65bc\u7f8e\u570b\u76ae\u535a\u8fea\u97f3\u6a02\u5b78\u9662\u8ddf\u96a8\u53e4\u65af\u5854\u592b\u00b7 \u9081\u723e\u548c\u99ac\u574e\u5fb7\u00b7 \u5854\u5361\u5b78\u7fd2\u6307\u63ee\u3001\u65bc\u963f\u65af\u672c\u7684\u7f8e\u570b\u6307\u63ee\u5b78\u9662\u96a8\u5927\u885b\u00b7 \u6d25\u66fc\u548c\u7a46\u88e1\u00b7 \u897f\u5fb7\u6797\u5b78\u7fd2\uff0c\u4e26\u65bc\u7f8e\u570b\u570b\u5bb6\u6307\u63ee\u5b78\u9662\u96a8\u840a\u6602\u7d0d\u591a\u00b7 \u65af\u62c9\u7279\u91d1\u5b78\u7fd2\u3002 \u5728\u6210\u70ba\u8077\u696d\u6307\u63ee\u4e4b\u524d\uff0c\u6797\u656c\u57fa\u5728\u82f1\u570b\u528d\u6a4b\u5927\u5b78\u8056\u7d04\u7ff0\u5b78\u9662\u4fee\u8b80\u7d93\u6fdf\uff0c\u4e26\u7576\u904e\u5341\u5e74\u57f7\u696d\u5f8b\u5e2b\uff0c\u5f9e\u4e8b\u570b\u969b\u91d1\u878d\u696d\u52d9\u3002 Ken Lam<\/strong><\/span> Ken Lam \u00e9 director de estudos orquestrais na Escola Juilliard de Tianjin e maestro residente da Orquestra Juilliard de Tianjin, al\u00e9m de conselheiro art\u00edstico da Orquestra Sinf\u00f3nica de Illinois, maestro residente do Centro de M\u00fasica Brevard na Carolina do Norte e director art\u00edstico do Hong Kong Voices.<\/p>\n Lam foi director musical da Orquestra Sinf\u00f3nica de Charleston de 2015 a 2022 e director musical da Orquestra Sinf\u00f3nica de Illinois de 2017 a 2022. Tamb\u00e9m ocupou cargos de maestro associado para a educa\u00e7\u00e3o da Orquestra Sinf\u00f3nica de Baltimore, e foi maestro assistente da Orquestra Sinf\u00f3nica de Cincinnati, e maestro titular da Orquestra de C\u00e2mara de Hong Kong.<\/p>\n Em 2011, ganhou o Concurso Internacional de Reg\u00eancia da Orquestra Sinf\u00f3nica de Memphis e foi um maestro de destaque em 2009, com a Sinf\u00f3nica de Nashville, na Pr\u00e9-estreia Nacional de Maestros Bruno Walter, da Liga das Orquestras Americanas. Lam iniciou a sua carreira profissional em Junho de 2008 nos Estados Unidos, com a Orquestra Sinf\u00f3nica Nacional, no Kennedy Center, sendo um dos quatro maestros escolhidos por Leonard Slatkin. Em temporadas recentes, regeu as orquestras Sinf\u00f3nicas de Cincinnati e Cincinnati Pops, e as orquestras de Baltimore, Detroit, Buffalo, Memphis, Hawaii, Brevard e Meridian, bem como a Sinfonietta de Hong Kong, a Filarm\u00f3nica de Hong Kong, a Filarm\u00f3nica de Seungnam, a Sinf\u00f3nica de Guiyang e a Orquestra Sinf\u00f3nica de Taip\u00e9.<\/p>\n Na \u00f3pera, Lam dirigiu in\u00fameras produ\u00e7\u00f5es da Companhia de \u00d3pera Janiec em Brevard e foi maestro assistente na \u00d3pera de Cincinnati, na \u00d3pera L\u00edrica de Baltimore e no Festival de Castleton. Nas \u00faltimas temporadas, Lam liderou produ\u00e7\u00f5es aclamadas pela cr\u00edtica no Festival Spoleto e no Festival Lincoln Center, nos EUA e no Festival Luminato no Canad\u00e1. A sua direc\u00e7\u00e3o da \u00f3pera Manon, de Jules Massenet, no Conservat\u00f3rio Peabody foi aclamada pelo di\u00e1rio Baltimore Sun como um dos dez melhores eventos cl\u00e1ssicos na \u00e1rea de Washington DC\/Baltimore em 2010.<\/p>\n Lam estudou reg\u00eancia com Gustav Meier e Markand Thakar, no Conservat\u00f3rio Peabody, com David Zinman e Murry Sidlin na Academia Americana de Reg\u00eancia em Aspen, e com Leonard Slatkin no Instituto Nacional de Reg\u00eancia. Tamb\u00e9m estudou economia no St. John’s College, na Universidade de Cambridge e foi advogado especializado em finan\u00e7a internacional durante dez anos antes de se tornar regente.<\/p>\n Lam foi galardoado em 2015 com o Pr\u00e9mio de Realiza\u00e7\u00e3o Global da Associa\u00e7\u00e3o de Antigos Alunos da Universidade John Hopkins, concedido a pessoas que honram a tradi\u00e7\u00e3o de excel\u00eancia da Johns Hopkins e que prestigiaram a Universidade e a sua profiss\u00e3o na arena internacional.<\/p>\n [\/vc_column_text][vc_column_text]<\/p>\n Ken Lam<\/strong><\/span> Ken Lam is director of orchestral studies at The Tianjin Juilliard School and resident conductor of the Tianjin Juilliard Orchestra. He is artistic adviser of the Illinois Symphony Orchestra, resident conductor of the Brevard Music Center in North Carolina and serves as artistic director of Hong Kong Voices.<\/p>\n Lam was music director of the Charleston Symphony Orchestra from 2015 to 2022 and music director of Illinois Symphony Orchestra from 2017 to 2022. Previously, Lam also held positions as associate conductor for education of the Baltimore Symphony Orchestra, assistant conductor of the Cincinnati Symphony Orchestra, and principal conductor of the Hong Kong Chamber Orchestra.<\/p>\n In 2011, Lam won the Memphis Symphony Orchestra International Conducting Competition and was a featured conductor in the League of American Orchestra’s 2009 Bruno Walter National Conductors Preview with the Nashville Symphony. He made his US professional debut with the National Symphony Orchestra at the Kennedy Center in June 2008, as one of four conductors selected by Leonard Slatkin. In recent seasons, he led performances with the symphony orchestras of Cincinnati and Cincinnati Pops, Baltimore, Detroit, Buffalo, Memphis, Hawaii, Brevard and Meridian, as well as the Hong Kong Sinfonietta, Hong Kong Philharmonic, Seungnam Philharmonic, Guiyang Symphony, and the Taipei Symphony Orchestra.<\/p>\n In opera, he directed numerous productions of the Janiec Opera Company at Brevard and was assistant conductor at Cincinnati Opera, Baltimore Lyric Opera and at the Castleton Festival. In recent seasons, Lam led critically acclaimed productions at the Spoleto Festival USA, Lincoln Center Festival and at the Luminato Festival in Canada. His run of Massenet’s Manon at Peabody Conservatory was hailed by the Baltimore Sun as a top ten classical event in the Washington D.C\/Baltimore area in 2010.<\/p>\n Lam studied conducting with Gustav Meier and Markand Thakar at Peabody Conservatory, David Zinman and Murry Sidlin at the American Academy of Conducting at Aspen, and Leonard Slatkin at the National Conducting Institute. He read economics at St. John’s College, Cambridge University and was an attorney specializing in international finance for ten years before becoming a conductor.<\/p>\n Lam is the 2015 recipient of the John Hopkins University Alumni Association\u2019s Global Achievement Award, given to individuals who exemplify the Johns Hopkins tradition of excellence and have brought credit to the University and their profession in the international arena.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row][vc_column][vc_single_image image=”29149″ img_size=”full”][vc_column_text]2022\u5e7412\u670831\u65e5 20:00 \u6fb3\u9580\u6587\u5316\u4e2d\u5fc3\u7d9c\u5408\u5287\u9662 Centro Cultural de Macau \u2013 Grande Audit\u00f3rio Macao Cultural Centre Grand Auditorium \u6307\u63ee\uff0f\u6797\u656c\u57fa Maestro \uff0fKen … Continue reading “\u96fb\u5b50\u5834\u520a E-House Programme”<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-29159","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.om-macau.org\/en\/wp-json\/wp\/v2\/posts\/29159","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.om-macau.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.om-macau.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.om-macau.org\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.om-macau.org\/en\/wp-json\/wp\/v2\/comments?post=29159"}],"version-history":[{"count":23,"href":"https:\/\/www.om-macau.org\/en\/wp-json\/wp\/v2\/posts\/29159\/revisions"}],"predecessor-version":[{"id":29187,"href":"https:\/\/www.om-macau.org\/en\/wp-json\/wp\/v2\/posts\/29159\/revisions\/29187"}],"wp:attachment":[{"href":"https:\/\/www.om-macau.org\/en\/wp-json\/wp\/v2\/media?parent=29159"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.om-macau.org\/en\/wp-json\/wp\/v2\/categories?post=29159"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.om-macau.org\/en\/wp-json\/wp\/v2\/tags?post=29159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nTarn Travers (\u5ba2\u5e2d\u6a02\u5718\u9996\u5e2d \/ Concertino convidado \/ Guest Concertmaster)<\/span>
\n\u90ed\u6176 Guo Qing (\u4ee3\u7406\u6a02\u5718\u526f\u9996\u5e2d \/ Concertino Associado substituto \/ Acting Associate Concertmaster)<\/span>
\n\u90a2\u6167\u82b3 Xing Huifang ++
\n\u674e\u601d\u857e Li Silei
\n\u694a\u67ef\u5ca9 Yang Keyan
\n\u9673\u7430\u6a02 Chen Yanle
\n\u5433\u5b87\u5f64 Ng U Tong *
\n\u694a\u6d69\u7136 Yeung Ho-Yin Victoria Kathleen *
\n\u99ae\u5353\u8ce2 Fung Cheuk Yin *
\n\u90ed\u5065\u6587 Kwok Kin Man Jeo *<\/p>\n
\n\u674e\u5a1c Li Na **
\n\u97cb\u7279\uff0e\u666e\u62c9\u932b\u683c Vit Polasek
\n\u90ed\u5eb7 Guo Kang
\n\u674e\u6587\u6d69 Li Wenhao
\n\u912d\u9e97\u7434 Zheng Liqin
\n\u5468\u741b Zhou Chen
\n\u738b\u705d Wang Hao
\n\u9673\u5fc3\u5982 Chan Sam Yu Sammi*
\n\u9673\u9032 Chan Chon *
\n\u90ed\u5bac\u665e Kwok Shing Hei Edwin *<\/p>\n
\n\u674e\u5cfb Li Jun ++
\n\u91d1\u57fa\u70c8 Kiyeol Kim
\n\u674e\u6708\u7a4e Li Yueying
\n\u4f55\u694a\u6674 Ho Ieong Cheng*
\nKUN YAN \u984f\u5764*<\/p>\n
\n\u9b6f\u5ca9 Lu Yan ++
\n\u913a\u8446\u8389 Kuong Pou Lei
\n\u62c9\u72c4\uff0e\u5948\u83ef\u5fb7 Radim Navr\u00e1til
\n\u6881\u4fca\u6046 LEONG CHON HANG *<\/p>\n
\n\u9673\u8d85 Chen Chao ++
\n\u5f35\u8c50\u54f2 Zhang Fengzhe *
\n\u4f55\u5bb6\u78a7 Ho Ka Pek *
\n\u6c88\u5091 Sam Kit *<\/p>\n
\nJiyoung Kim *
\nChaeyeong Lee *<\/p>\n
\n\u6f58\u6f94\u96ea Poon Ho Suet *<\/p>\n
\n++ \u4ee3\u7406\u8072\u90e8\u9996\u5e2d \/ Chefe de Naipe, substituto \/ Acting Section Principal<\/span>
\n## \u5ba2\u5e2d\u8072\u90e8\u9996\u5e2d \/ Chefe de Naipe convidado \/ Guest Section Principal<\/span>
\n* \u5ba2\u5e2d\u6a02\u5e2b \/ M\u00fasico convidado \/ Guest Musician<\/span><\/p>\n
\n\u6307\u63ee<\/strong><\/span><\/p>\n
\n2011\u5e74\uff0c\u6797\u656c\u57fa\u69ae\u7372\u5b5f\u83f2\u65af\u570b\u969b\u6307\u63ee\u5927\u8cfd\u7684\u51a0\u8ecd\uff0c\u4e26\u65bc2009\u5e74\u5728\u7f8e\u570b\u4ea4\u97ff\u6a02\u5718\u806f\u76df\u8209\u8fa6\u7684\u83ef\u723e\u7279\u6307\u63ee\u9810\u6f14\u4e2d\u6307\u63ee\u7d0d\u4ec0\u7dad\u723e\u4ea4\u97ff\u6a02\u5718\u3002 2008\u5e74\uff0c\u4ed6\u8207\u53e6\u5916\u4e09\u4f4d\u6307\u63ee\u88ab\u840a\u6602\u7d0d\u591a\u00b7 \u65af\u62c9\u7279\u91d1\u9078\u4e2d\uff0c\u5728\u7518\u8ffa\u8fea\u4e2d\u5fc3\u6307\u63ee\u7f8e\u570b\u570b\u5bb6\u4ea4\u97ff\u6a02\u5718\uff0c\u9019\u662f\u4ed6\u5728\u7f8e\u570b\u7684\u6b63\u5f0f\u9996\u6f14\u3002 \u8fd1\u5e74\u9593\uff0c\u4ed6\u9084\u66fe\u6307\u63ee\u8f9b\u8f9b\u90a3\u63d0\u4ea4\u97ff\u6a02\u5718\u3001\u8f9b\u8f9b\u90a3\u63d0\u6d41\u884c\u7ba1\u5f26\u6a02\u5718\u548c\u5df4\u723e\u7684\u6469\u3001\u5e95\u7279\u5f8b\u3001\u5e03\u6cd5\u7f85\u3001\u5b5f\u83f2\u65af\u3001\u590f\u5a01\u5937\u3001\u5e03\u91cc\u74e6\u5fb7\u3001\u83ab\u88e1\u8fea\u6069\u7b49\u5730\u7684\u4ea4\u97ff\u6a02\u5718\uff0c\u4ee5\u53ca\u9999\u6e2f\u5c0f\u4ea4\u97ff\u6a02\u5718\u3001\u9999\u6e2f\u7ba1\u5f26\u6a02\u5718\u3001\u97d3\u570b\u57ce\u5357\u5e02\u7acb\u4ea4\u97ff\u6a02\u5718\u3001\u8cb4\u967d\u4ea4\u97ff\u6a02\u5718\u548c\u81fa\u5317\u5e02\u7acb\u4ea4\u97ff\u6a02\u5718\u7b49\u3002<\/p>\n
\n2015\u5e74\uff0c\u7f8e\u570b\u7d04\u7ff0\u00b7 \u970d\u666e\u91d1\u65af\u5927\u5b78\u6821\u53cb\u6703\u70ba\u6797\u656c\u57fa\u9812\u767c\u5168\u7403\u6210\u5c31\u734e\uff0c\u4ee5\u8868\u5f70\u4ed6\u5c0d\u8a72\u6821\u512a\u826f\u50b3\u7d71\u7684\u50b3\u627f\uff0c\u4e26\u80af\u5b9a\u4ed6\u70ba\u5b78\u6821\u53ca\u5176\u5c08\u696d\u9818\u57df\u4f5c\u51fa\u7684\u5353\u8d8a\u8ca2\u737b\u3002[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n
\nMaestro<\/strong><\/span><\/p>\n
\nConductor<\/strong><\/span><\/p>\n