{"id":54438,"global_id":"www.om-macau.org\/en\/?id=54438","global_id_lineage":["www.om-macau.org\/en\/?id=54438"],"author":"2","status":"publish","date":"2026-08-14 15:10:37","date_utc":"2026-08-14 07:10:37","modified":"2026-08-17 11:50:41","modified_utc":"2026-08-17 03:50:41","url":"https:\/\/www.om-macau.org\/en\/event\/easter-presents-mozarts-requiem\/","rest_url":"https:\/\/www.om-macau.org\/en\/wp-json\/tribe\/events\/v1\/events\/54438","title":"Easter Presents: Mozart\u2019s Requiem","description":"

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<\/div><\/div><\/div>[vc_column_text]Date: 25\/03\/2027 Thursday<\/span> 20:00<\/span><\/p>\n

Venue : St. Dominic\u2019s Church<\/p>\n

Conductor<\/span> \/ Lio Kuokman<\/span>
\nChorus<\/span> \/ Hong Kong Philharmonic Chorus<\/span><\/p>\n

Programme
\nMozart: Symphony No. 15 in G Major, K.124
\nRichard Danielpour: “Lacrimae Beati” (2009)
\nMozart: Requiem, K. 626 (S\u00fcssmayr)[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text el_class=”white mar-b5″ css=”.vc_custom_1785828343876{margin-bottom: 0px !important;padding-bottom: 0px !important;}”]Conductor
\nLio Kuokman[\/vc_column_text][vc_single_image image=”50255″ img_size=”75×75″ onclick=”custom_link” img_link_target=”_blank” link=”#”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text el_class=”white mar-b5″ css=”.vc_custom_1785828354037{margin-bottom: 0px !important;padding-bottom: 0px !important;}”]Chorus
\nHong Kong Philharmonic Chorus[\/vc_column_text][vc_single_image image=”54431″ img_size=”75×75″ onclick=”custom_link” img_link_target=”_blank” link=”#”][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n

One of choral music\u2019s undisputed masterpieces, Mozart\u2019s unfinished Requiem (completed by his student Franz S\u00fcssmayr) stemmed from an anonymous commission. Mozart was terminally ill when he began the work, and several movements existed only in sketches. Still, his musical genius shines through (especially in the opening Kyrie, which he fully orchestrated). This concert also features an early symphony by the teenaged Mozart, along with Lacrimae Beati (\u201cTears of the Blessed One\u201d) by the contemporary composer Richard Danielpour for string orchestra, a tribute to the Requiem. The opening eight bars of the Lacrimosa that inspired Danielpour were reputedly the last notes Mozart ever penned.
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Approximately 1 hour and 15 minutes[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text el_class=”white”]<\/p>\n

Tickets<\/h2>\n

Information will be announced later[\/vc_column_text][vc_column_text el_class=”white”]<\/p>\n

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